With the dbx 1066 Compressor/Limiter/Gate impressive noise and THD performance specs are the essentials, but the 1066 doesn't stop there. Features like sidechain (with SC Monitor), Contour, True RMS Power Summing, Neutrik XLR audio connectors, OverEasy or hard-knee compression algorithms, auto or manual attack and release times, and PeakStopPlus limiting also serve to set the dbx 1066 Compressor unit out front in the world of high-performance compression. dbx 1066 Compressor/Limiter/Gate Features: Impressive noise and THD performance specs Sidechain (with SC Monitor) Contour True RMS Power Summing Neutrik XLR audio connectors OverEasy or hard-knee compression algorithms Auto or manual attack and release times PeakStopPlus limiting
Manufacturer's Description for dbx 166XL Dual Compressor Limiter Gate
The 166XL provides 2 channels of noise gating, OverEasy or classic hard knee compression and PeakStop limiting to give complete control of signal dynamics to studios, sound reinforcement companies, musicians, or anyone who needs quality processing quickly and easily. We recommend that you take a moment and read through the manual as it provides information that will assist you in using your unit to its fullest potential.
Most compressor/gates provide less than musical compression, coupled with gating that swallows transients or closes early, cutting off decay and reverb tails. The superb engineering in the 166XL ensures that both its compression and gating provide versatility and excellent sonic performance in situations where other compressor/gates typically produce undesirable processing artifacts.
When using the 166XL's Attack and Release controls, artists and engineers will find that the center settings deliver classic dbx compression, while the full control range produces voicings that extend from slow "leveling" to aggressive "peak" limiting.
The 166XL's advanced gate circuitry uses a completely new, program-dependent timing algorithm to produce ultra-smooth release characteristics - even with complex signals, such as voice or reverb decays. dbx engineers went on to take advantage of the wide dynamic range and high precision of the dbx V2 VCA to design in an extra-wide threshold range and ensure top gating performance for each application.
Separate precision LED displays for gain reduction, compression threshold, and gate threshold allow quick, accurate setup, while the 166XL's intuitive operation lets users easily smooth uneven levels, add sustain to guitars, squash drums, or tighten up mixes. In Stereo couple mode, the Channel 1 controls become Master controls, and Channel 2 follows precisely to ensure a rock solid stereo image even with high amounts of compression, through True RMS Power Summing. Professionals and newcomers alike will find that the 166XL sets up rapidly and musically the first time it is used, especially with the Auto attack and release function. Advanced applications are now easy, with the 166XL,s full sidechain functionality, and the ability to use either hard knee or OverEasy compression algorithms. Add to this already impressive list of features the venerable PeakStop limiter, and you've got a strong finisher, every time.
Designed and manufactured in the U.S.A., the dbx 166XL processor is the result of an intensive engineering and product development effort aimed at taking advantage of the latest and best advances in manufacturing technology to deliver true dbx audio performance and reliability to our customers at the lowest possible cost. The 166XL puts a completely new level of compressor/gate performance within everyone's reach.
Features
- Goof-proof operation to smooth uneven levels, add sustain to guitars, fatten drums, or tighten up mixes. - New! gate timing algorithms ensure the smoothest release characteristics. - Program-adaptive expander/gates. - Great sounding dynamics control for any type of program material. - Separate precision LED displays for gain reduction, compression threshold, and gate threshold allow quick, accurate setup. - Stereo or dual-mono operation. - Balanced inputs and outputs on 1/4 in. TRS and XLR. - Side Chain insert. - Classic dbx "Auto" mode.
Adding a dbx 166xs Compressor/Limiter/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix – adding greater clarity and making them stand out from the surrounding instruments. To protect your expensive amps and speakers the PeakStop limiter provides an absolute ceiling for peak excursions or large transients that could damage your equipment. dbx knows compressors...after all they invented them! The 166xs is the latest in a long line of the world's most successful compressors from the inventors of the technology. Its patented Overeasy compression technology provides smooth and musical performance while the AutoDynamic attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 166xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 1/4" TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches. dbx 166xs Dual Compressor Limiter Features: Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes New gate timing algorithms ensure the smoothest release characteristics Program-adaptive expander/gates Great sounding dynamics control for any type of program material Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup Stereo or dual-mono operation Balanced inputs and outputs on 1/4" TRS and XLR connectors Side Chain insert Classic dbx "Auto" mode
The dbx 266xs Compressor/Gate is the latest in a long line of the world's most successful compressors from the inventors of the technology. Its patented Overeasy compression technology provides smooth and musical performance while the AutoDynamic attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 266xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 1/4" TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches. Adding a dbx 266xs Compressor/Limiter/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix – adding greater clarity and making them stand out from the surrounding instruments dbx 266xs Compressor/Gate Features: Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes New gate timing algorithms ensure the smoothest release characteristics Program-adaptive expander/gates Great sounding dynamics control for any type of program material Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup Stereo or dual-mono operation Balanced inputs and outputs on 1/4" TRS and XLR connectors Side Chain insert Classic dbx "Auto" mode
Let’s take a look at the construction features of the dbx® 223XL. As you turn the controls you will notice that these units are extremely well built. The controls exude great precision, and the feel is a solid “click”. Also, when you open the box, you won’t find the external power supply that accompanies most processors in this price range. That’s because we know how difficult external power supplies can be to work with and even though it costs a little more, we put the high quality power supply right in the unit. All the inputs and outputs are balanced XLRs that are screwed directly to the chassis. This connection of the jacks to the chassis insures that even if someone stomps on a cable plugged into the unit, it’s not going to tear up the circuit board inside. All dbx crossovers feature Linkwitz-Riley 24dB per octave filters, the professional standard. But then again, what did you expect?
Via a switch on the back panel, you first select whether you’re operating your system in stereo 2-way or mono 3-way. Then you also set, on the back panel, whether or not you want to mono sum the LF (subwoofer) out. (Most systems that use a subwoofer are mono subbed to take advantage of amplifier power and because low frequencies are non-directional.) Back panel switches allow you to select the range of the crossover frequencies individually for both channels. The crossover frequency controls have a green LED that indicates when the x10 switch on the back panel is activated (we wouldn’t make you check the switch position on the back every time you wonder where it’s set). All these switches are on the back panel because it could be disastrous if you were to change them mid-program. On the front panel you’ll notice there are LEDs that indicate whether the unit is in mono or stereo mode. Each channel has an input gain control for proper level setting. There’s a recessed 40 Hz low cut (HPF) on each channel to remove unwanted low frequencies. Both the low and high outputs on each channel have a gain control ranging from -infinity to +6 dB to allow muting of individual outputs and for level matching. Also, these outputs each have phase reverse switches that will help get you out of a bind without having to reconfigure your system. These phase reverse switches may be internally reconfigured as mute switches.
You’ll get great performance, all the features you’d expect from a professional product and the knowledge that you’re buying a processor from the people that have been producing the worlds finest processors for over 25 years. The technology that made us famous brings you a dbx crossover that has been tested to the highest professional standards at a price that’s just too low to admit!
XLR balanced ins and outs
Mode switch for stereo 2-way or mono 3-way operation
Low frequency summed (subwoofer) output
x10 range switch on both channels
40Hz high pass (low cut) filter both channels
Phase reverse switch on all outputs
Individual level controls on all outputs
24dB per octave Linkwitz-Riley filters (the professional standard)
Stereo/Mono status LEDs indicate the selected mode
The secret to making speakers sound great lies with the crossover you use. With the dbx 234xs Crossover you'll get great performance, ultra low-noise, rugged reliability and four decades of dbx knowledge and expertise in building the world's finest processors. The 234xs uses precision filters to separate the audio signal and direct the correct frequencies to your loudspeaker drivers. By directing only the specific frequency bands to each speaker driver the 234xs leaves your amplifiers free to use their full power on the usable signal eliminating distortion and giving your PA system a cleaner and better sound. The dbx 234xs is a dual channel crossover with all the features you would expect from a professional product. It features Linkwitz-Riley 24dB per octave filters, independent output gain controls for level matching, output phase inversion, 40 Hz low cut filter, and optional mono summing of the low frequency (subwoofer) output. Everything in the design exudes great precision from the solid "click" controls to the high quality XLR inputs and outputs. Features XLR balanced ins and outs Mode switches for mono 4-way or stereo 2-way/3-way operation Low frequency summed (subwoofer) output x10 range switch on both channels 40Hz high pass (low cut) filter both channels Phase reverse switch on all outputs Individual level controls on all outputs 24dB per octave Linkwitz-Riley filters (the professional standard) Stereo/Mono status LEDs indicate the selected mode dbx 2 year parts and labor as standard CSA NRTL/C approved CE compliant
The BBE DS26 loudspeaker management system features 2 inputs and 6 outputs with 5-band parametric EQ on each output. Outputs all feature crossover filters, selectable high and low shelving filters, and fully featured limiter and delay circuits. Full metering is provided for inputs and outputs, with mute and access buttons allowing quick set up and gain adjustment. Other features include a choice of 12, 18, or 24dB/octave roll-off and Butterworth, Bessel, or Linkwitz-Riley responses. Independent control of each high and low pass filter allows asymmetric crossover bands to be created. The DS26 can also be controlled from a PC via its RS232 connection. Along with XLR input/output connectors, DS26 has selectable line voltages between 90 and 250 VAC for global use. Features 2 inputs 6 outputs 5-band parametric EQ Crossover filters Selectable high and low shelving filters Fully featured limiter and delay Full metering is provided for inputs and outputs, with mute and access buttons 12, 18, or 24dB/octave roll-off Butterworth, Bessel, or Linkwitz-Riley responses Independent control of each high and low pass filter RS232 connection for PC control XLR input/output connectors Selectable line voltages between 90 and 250 VAC operations
The BBE DS48 loudspeaker management system features 4 inputs and 8 outputs with 10 configuration templates. A choice of operating and crossover modes include 4 x 2-way, 2 x 3-way + 2 aux, 2 x 4-way, 1 x 5-way + 3 aux, mono dist., stereo dist., LCRS with mono subs, 4 x 4 processor and muted/flat startup. Other notable features include high performance limiters on each output, providing complete control over attack, release and threshold parameters; variable high and low pass filters; and your choice of 6dB, 12dB,18dB, 24dB, 48dB Butterworth, Linkwitz-Riley or Bessel frequency response curve. Independent control of each high and low pass filter allows asymmetric crossover bands to be created. The DS48 can also be controlled from a PC via the DS24's RS232 connection with the included software. Along with XLR input/output connectors, DS48 comes complete with selectable line voltages between 90 and 250 VAC operations. Carrying a 5 year warranty, the DS48 is recommended for live sound rigs and installations. Features 24-bit AD/DA, 48k sampling rate Internal 32-bit DSP processing Parametric EQ provides -40dB to +6dB of gain with frequency gain and bandwidth adjustment Full limiter for each output 7ms delay per output RS-232 computer control 5 year warranty
Designed to be the only device necessary between the mixer and the power amps, DriveRacks are all-inclusive loudspeaker management systems versatile enough to suit any sound reinforcement, monitoring, or install application. The DriveRack 260 offers 2 independent channels of processing power with a linkable 28-band graphic EQ, industry-standard dbx stereo compressor module, feedback eliminator, and the 120A Subharmonic Synthesizer on the input signal path. 6-channel output system includes parametric EQs, PeakStopPlus limiters (to provide protection against speaker blowouts), and alignment delay. Setup Wizard gets you up and running quickly and GUI control provides easy PC-based control. Click on the PDF link below for more complete details on this powerful PA control system. dbx DriveRack 260 Complete Equalization and Loudspeaker Control System Features: Feedback elimination 2.7 seconds of alignment and zone delay RS-232 PC GUI control Classic dbx compression and limiting Graphic and parametric EQs Auto-EQ function Full bandpass, crossover, and routing configurations Auto gain control Pink noise generator and fulltime RTA Setup wizard with JBL speaker and Crown power amplifier tunings Security lockout Wall panel control inputs for permanent installations The DriveRack 260 delivers optimal, all-inclusive signal processing in a completely scalable system. Call or click to order now!
The best just got even better! The DriveRack PA, far and away the world's most popular loud speaker management system has now become the DriveRack PA+; the best has indeed gotten better. Showcasing all the features that users around the world have come to expect, including easy setup, rock-solid reliability and unparalleled sound quality, the new version has gone to great lengths to earn its "plus." With more settings, more control and enhanced circuitry, the sound you seek is right at your fingertips. Although the DriveRack PA+ is loaded with functions and features, it is easy to set-up and use. The dbx exclusive Set Up Wizards walk you through system set up with easy to follow step-by-step instructions. Just pick your speakers and amps from the built-in list on the PA+ and then let the Auto Level Wizard™ fine tune the level settings of each speaker. You can then let the Auto EQ® Wizard help you further optimize your sound. Finish up by using the AFS Wizard, which automatically sets filters to eliminate any feedback during performances. Within minutes, your system will sound like it was tuned by a pro! No experience required. Get the most out of your PA with the DriveRack PA+, the worldwide standard in loudspeaker management. Setup Wizard Steps Through Speaker and Amp Selection and Levels Auto EQ(TM) Wizard with 28-Band RTA Tunes Your System For The Venue AFS(TM) Wizard Helps Eliminate Feedback Stereo Feedback Elimination with 12 feedback notch filters dbx 120A Sub-harmonic Synthesizer
Powered speakers are a beautiful thing. Everything you need bundled into one simple, tidy, portable package. Just grab ‘em and go, right? Well, you may think your powered speaker system is complete, but you’re missing half the picture. DriveRack PX is the other half. In another dbx industry first, we’ve created a processor specifically tailored for powered speakers. Utilizing our highly-acclaimed DriveRack technology, the PX picks up where your powered speakers leave off. The DriveRack PX Powered Speaker Optimizer has everything you need to get the most out of your stereo powered speaker system. It even includes stereo or mono subwoofer support. With the included dbx M2 measurement mic, Auto-EQ corrects for audible deficiencies in the room environment. Our patented Advanced Feedback Suppression (AFS™) kills nasty feedback, allowing problem-free operation at higher sound levels, while our patented Subharmonic Synthesizer™ extends bass response for enhanced bottom end. With all that, you also get classic dbx compression and the protection offered by our graceful PeakPlus™ limiting. Your ears, your audience, and your powered speakers will forever thank you. In spite of all that sophistication, rest assured we won’t overcomplicate the simplicity of your rig. Our exclusive Setup, Auto-EQ, and AFS Wizards, and out-of-the-box support for a host of JBL and other popular powered speakers, make setup a snap. Louder, cleaner, better sound than you thought possible from your powered speakers. Stereo Feedback Elimination with 12 feedback notch filters Dual 28-band Graphic EQ Classic dbx® Compressor 120A Subharmonic Synthesizer Stereo Multi-band Parametric EQ
The GQX-3102 features two channels of 1/3 octave EQ. It offers tunable high-pass filter circuits from 8Hz to 200Hz and 10-segment, two color LED meter displays, referencing 0 VU to +4dBu. Each model in the GQX-Series features switch-selectable cut or boost of either 6dB or 15dB, and carry the same Five Year Worry-Free Warranty offered on all commercial sound products from Ashly.
The GQX models are designed to be significantly quiet without the need for noise reduction to be built into the equalizer circuit. Double-sided circuit boards with ground plane design are used in the filter sections for improved RFI and electrostatic immunity. Precision Wein-Bridge filters and carefully designed summing amplifiers combine to provide extremely accurate response, low noise, negligible distortion, and complete immunity to magnetic fields. All filters exhibit true constant "Q" response with no broadening near the "flat" setting. High slew-rate circuitry throughout the signal path results in clean, quiet, transparent sound. The faders used are a custom-manufactured metal-shaft type, with molded saddle knobs, for the ultimate in reliability and smooth "feel". Ashly's unique "T-Beam" front panel construction eliminates interconnections between the faders and the filters, resulting in a very rugged and rigid front panel.
Features:
Precision Wein-bridge filters for accurate response and low distortion
Constant "Q" design for low ripple and minimum interaction
Selectable 15dB or 6dB range
Switchable-Tunable Low Cut Filter
10 position, 2-color LED level meter plus peak LED indicators
The MQX-2310 features two channels of 1/3 octave EQ in 2RU. MQX Series EQ's use the same precision filter design and summing circuitry as the GQX Series, with each filter exhibiting true constant “Q" response. The center-detented position of each fader acts as an on/off switch for its filter (to minimize any possible degradation to signal noise levels), ensuring absolutely flat response and high signal-to-noise ratios.
Instead of 20mm plastic faders typically used by other manufacturers, Ashly has selected a custom-manufactured 25mm slide fader device. The additional range and accuracy of this component allow us to offer ±15 dB of boost or cut adjustment on each individual filter (an Ashly exclusive in this class of product), and use every last bit of panel space so that small panel size doesn’t compromise resolution.
Features:
Precision Wein-bridge filters for accurate response and low distortion
Constant "Q" design for low ripple and minimum interaction
High quality detented 25mm metal shaft faders
Balanced Inputs and Outputs
XLR, 1/4" TRS and Barrier Strip (MQX-1310 and MQX-2310) Audio Connections
Designed for use in the most demanding live situations, the dbx 1215 Dual 15-Band Graphic Equalizer provides dual channels, 15 - 2/3-octave bands, ISO frequency centers, ±12dB input gain range, and switchable 40Hz/18dB per octave low-cut filters. Other quality features of the dbx 1215 EQ include 45mm faders; selectable ±6dB or 15dB boost/cut range; XLR, barrier strip, and 1/4" TRS connectors; balanced inputs and outputs for quiet operation; and chassis/signal ground lift capabilities for quick hum isolation. dbx 1215 Dual 15-Band Graphic Equalizer Features: Switchable boost/cut range between ±6dB and 15dB Electronically balanced/unbalanced inputs Servo balanced/unbalanced outputs RF filtered inputs and outputs XLR, barrier strip, and 1/4" TRS connectors -12dB/+12dB input gain range 18dB/octave 40Hz Bessel low-cut filter Chassis/signal ground lift capability Internal power supply transformer Power-off hardwire relay bypass with 2-second power-up delay
When the pros need an EQ, they turn to dbx. With a proven track record that spans four decades, dbx EQs are the industry standard for touring, studios, and audio installations. With the dbx heritage of revered pro EQs, the 131s meets the needs of the most demanding sound reinforcement environments, while offering the simplicity of straightforward controls. The dbx 131s includes a single 31-band channel of 1/3-octave equalization, ±12 dB input gain, switchable ±6 dB or ±12 dB boost/cut range, 20mm nonconductive sliders, an intuitive user interface, and output level metering. From its extended 10Hz to 50kHz frequency response and 110 dB dynamic range to the quality componentry and meticulous attention to detail, the 131s offers exceptional sound and rugged reliability that guarantees you will always sound your best. Sure to find a home in the studio, on tour and with installed sound venues, the dbx 131s is destined to take its rightful place in the lineage of great dbx signal processors that are the professional's choice in signal processing. With such affordable quality, there's no longer any excuse for compromising your sound. dbx 131s Single Channel 31-Band Graphic Equalizer Features: Single 31-band, 1/3-octave Constant Q frequency bands Switchable boost/cut ranges of ±6 or ±12dB 12dB per octave, 3dB down @ 50Hz low-cut filter Front panel bypass switch ±12 dB input gain range 4-segment LED ladders for monitoring output levels XLR and TRS Inputs and Outputs Frequency Repsonse of <10Hz to >50kHz Dynamic range of greater than 108dB
The dbx 2231 Dual 31-Band Graphic Equalizer gives you 2 channels with 31 bands, each 1/3 octave to achieve the most precise tone control you can get. The dbx 2231 equalizer combines a superb EQ circuit, a powerful limiter, and revolutionary Type III noise reduction that increases S/N ratio by 20dB. The PeakPlus limiter's threshold ranges from 0dBu to +20dBu and can transparently tame the wildest hits or subtlest nuances of any signal. A 4-segment LED bar graph for both gain reduction and output level offers the most comprehensive visual feedback available. XLR, barrier strip, and 1/4" connectors; 45mm nylon sliders; and 12dB input gain stage provide pro flexibility and performance. dbx also includes status LEDs for all settings on the front panel of the 2231 Dual Graphic Equalizer. dbx 2231 Dual 31-Band Graphic Equalizer Features: Dual-channel 31-bands 1/3-octave per band PeakPlus limiter LED bar graph for gain reduction and output level Status LEDs for all settings on the front panel XLR, barrier strip, and 1/4" connectors 45mm nylon sliders 12dB input gain stage
When the pros need an EQ, they turn to dbx. With a proven track record that spans four decades, dbx EQs are the industry standard for touring, studios, and audio installations. With the dbx heritage of revered pro EQs, the 231s meets the needs of the most demanding sound reinforcement environments, while offering the simplicity of straightforward controls. The dbx 231s includes two 31-band channels of 1/3-octave equalization, ±12 dB input gain, switchable ±6 dB or ±12 dB boost/cut range, 20mm nonconductive sliders, an intuitive user interface, and output level metering. From its extended 10Hz to 50kHz frequency response and 112 dB dynamic range to the quality componentry and meticulous attention to detail, the 231s offers exceptional sound and rugged reliability that guarantees you will always sound your best. Sure to find a home in the studio, on tour and with installed sound venues, the dbx 231s is destined to take its rightful place in the lineage of great dbx signal processors that are the professional's choice in signal processing. With such affordable quality, there's no longer any excuse for compromising your sound. dbx 231s Dual Channel 31-Band Graphic Equalizer Features: Dual 31-band, 1/3-octave Constant Q frequency bands Switchable boost/cut ranges of ±6 or ±12 dB Front panel bypass switch ±12 dB input gain range 4-segment LED ladders for monitoring output levels XLR and TRS Inpts and Outputs Frequency Repsonse of <10Hz to >50kHz Dynamic range of greater than 108dB
The dbx 120A Subharmonic Synth delivers the throbbing low-end bass you want. It produces new, Waveform Modeled bass notes an octave below the bass in the original audio—smooth, musical, and floor-shaking even when output at system levels well below system and hearing damage thresholds. Provides 1/4" and RCA input connectors along with balanced 1/4" main outputs which can be full range (including synthesis) or HF only, plus a separate subwoofer output with level control. Features Individual control for two ranges of subharmonic frequenciesSeparate low-frequency boost circuitSeparate subwoofer output1/4" balanced inputs and outputsRCA input connectorsFront-panel LEDs show crossover status and synthesis activityPatented circuitry ensures that mid and high frequencies are not affectedBuilt-in crossover with choice of 80Hz or 120Hz crossover pointEnhance bass audio material for use in such applications as nightclub and dance mixing, theater and film sound, music recording, live music performance, and broadcasting.
